Showing posts with label London College of Style. Show all posts
Showing posts with label London College of Style. Show all posts

Tuesday, 28 June 2016

London Collections Men SS17 - Day 3

Day 3 of LCM was all about working backstage. Through the London College of Style I had the opportunity to dress at 2 shows, Belstaff and KTZ, both I have dressed at before so I knew what to expect. I decided that this was the last time, unless paid, that I was going to help dress backstage. After hearing from people already established as stylists, I should be going to shows and not dressing them, plus going to shows and reporting back is much more fun than dressing.

Belstaff was a presentation and bright and early for a Sunday I was there at 8:30. First we were assigned a model and briefed on our looks. My look was pretty easy and since this was a presentation the model would have plenty of time to get ready and there would be no quick change. The look was basically leather pants and a t-shirt. The shoes were a bit more challenging. They needed to be laced in a specific way and able for the pants to be tucked into them when fastened. After hair and makeup my model needed a quick bathroom and food break, afterall he was going to be standing for the next 2 hours. When he returned he got dressed. There was a run through to decide on placing of the models and then a briefing by the designers/creative director. And it was ready to begin, piece of cake!

The inspiration for the SS17 collection was Steve McQueen in the 1970s. There is a definite western vibe as well as a racing vibe. I really like the leather trousers tucked into thick socks, it feels very rustic to me. I totally see this guy in the dessert with his white, worn, t-shirt and neck scarf. He has a bit of scruf (what you get when you haven’t shaved for a few days) and his hair is unruly from the motorcycle helmut, because afterall the Belstaff guy definitely rides a motorcycle. Racing stripes on the jackets and leather jumpsuits is a nob to the racing industry, which was pulled from the McQueen film This is the first time that Belstaff has combined menswear and womenswear into one show. I’m not so crazy about the ladieswear. I don’t love the racing stripes on the short leather jackets,

Here are some photos I took from the presentation. As you can see the set was amazing! The space was actually just a convention building, but Belstaff really transformed it. Belstaff always does a great job with transporting you to a place and time with how they present their collections. There was also a man outside on a motorcycle doing tricks wearing Belstaff, it just really set the mood as you entered the venue.











You can view the whole collection here

Next up was KTZ! I was really looking forward to this show, it is generally one of the more over the top shows as oppose to ready to wear in regards to the clothes and I was exciting to see what they had put together, what the theme would be, would there be lots of womenswear mixed in? Okay so the Belstaff presentation ended around 1:45 and we were meant to be at KTZ for 2:00, but they knew we were going to be a bit late, there were about 9 of us from LCS that were dressing at both shows so we all went over together. After rushing to get there, we arrived around 2:15. When we arrived, and I’m going to be quite candied with my experience dressing this show, no one knew what was going on, or maybe they did, but they didn’t tell us. We were told to put our belongs, including our mobile phones, in a separate room, the room was towards the back and it was literally a small room with everyone's bags thrown in, no security, nothing. We were not allowed to take pictures as they were afraid that the collection would leak before the show, which I totally get, but I also heard that if they saw you with your mobile phone even out, regardless of what you were doing on it, then you would have to leave. I took my phone with me, along with my license and cards. After we had put everything away, we came back to the dressing area and were just standing around waiting to be told what to do. We were told that we were in the way a few times and not very nicely, and then we were asked to move to another area, which we all did. After sitting in this other area for 15 minutes we were asked to go and sit outside. On this particular day in London it had been down pour raining speratically and was quite cold for June. So I was not too excited about having to sit outside, there was also a bit of hesitation when asked if we could get our coats from the other room where they asked us to put them, with a response of ‘really, is it so cold outside’. It was now around 3:45 and we were meant to have the models dressed and ready for a dress rehearsal at 4:00, the show would start at 5:00. After sitting outside for about a half hour, we were told to come back in and we were told to take a look from the rail and line up according to the number of that look and then, in order, find a spot in the room to get the model ready. There were 3 people per model, which is insane, 1 person is generally enough, 2 people, maybe, if the look complicated, but 3 people? It was too crowded, and then that makes it difficult to get dressed and for any changes. They did end up doing a run through, but it was right before the show and then the show started late, I think around 5:15.

The outfit my model wore was basically track pants and sweatshirt. There was a lot of silhouette details that you can’t really see with just looking at the clothes, so it is nice to be able to really look at the clothes and see the movement. KTZ definitely pays attention the details. Which is one of the reason that I love dressing their shows. But for SS17 I was not super impressed, I don’t particularly like the logo printed stuff. I loved the sheer constilation pieces, they were amazing, and I thought the structure of the outwear was really nice, but the rest was just okay. I would never dress a KTZ show again. The production team was rude and disorganized, we are free, skilled labour and there was no thank you at the end of the show, no appreciation. We were not allowed to eat the food that they provided, or allowed to have bottled water in the dressing space. It was just not pleasant and I gained nothing from the experience. It's really unfortunate because the clothes are beautiful.

I don't have any photos to show you because we were not allowed to take photos, below though I have put some of my favourite looks. To view more images from the collection you can go here.




Monday, 4 January 2016

3rd Editorial Shoot

I can't believe that it is has been over a month that I have finished the 1st portion of my styling studies and today I started the second portion, Advanced Editorial Styling.  The main focus for the next 3 months will be even more editorial shoots and I can't wait for it to begin!  So before I get started with what I can only imagine will be an exciting 3 months I need to share with you my 3rd editorial shoot experience.

We were given a choice for the theme of the shoot, 80s or pattern/prints.  I chose 80s, there is so much reference to the 80s for AW15 that I wanted to have a chance to put my spin on this trend.  I put together the mood board below, focusing on 80s glamour with tight skirts, bright accessories, and embellishments.  I used both runway images from AW15 and 80s images to create my moodboard.


I actually found my outfit quite easily, the only thing was that I actually had another vintage jacket in mind, but when I went to purchase from Rokit (a vintage shop in London with an online shop) the jacket had already been sold.  I found a blue jacket and a red jacket that would work and developed 2 looks to fit with each jacket, planning to use my lecturer to help me decide on the best look on the day of the shoot.

The shoot would be in Bethnal Green, which is in East London.  When I arrived at my given time I saw 2 models getting ready and 2 photographers.  After hearing that the shoes size of one model was a size 5 and the other was a size 7 I knew how I would decide on which model to use, as the shoes I had brought were a size 8, 7/8 is a typical model shoes size.  The wonderful Leigh Keily, celebrity photographer and editor of 'Jon' magazine, would be my photographer.  He also photographed my second shoot with the Cuban theme, so I felt like I was in good hands.  I was told that I would need to find my own location spot for the shoot.  Bethnal Green is a fairly busy area with lots of Indian/Middle Eastern shops and market.  I had a look around went in a few places, took a few pictures to show the photography, and decided to focus on a dry cleaner.  I went in to ask the man behind the counter if it would be possible to use his shop for my shoot and after a bit of charming he agreed!  

Below are the images from the shoot, which I am quite happy with.  The only thing I would change is that the belt is not centre on several of the images and there was actually this fringe detailing on the skirt and top that does not come through because of the lighting on the black, but live and learn. 








Credits:
Top & Skirt: H&M
Jacket: 80s Vintage Rokit
Belt: 80s Vintage Rokit
Handbags: Blue, Aldo; Red, House of Fraser
Handbag Accessories: Topshop, H&M 
Shoes: Head Over Heels
Earrings: Topshop

Photographer: Leigh Keily
Stylist: Lore Koijen
MUA: Martin Carter
Hair: Carolina Crona
Model: Anna Tatton, Nevs Models


Wednesday, 2 December 2015

2nd Editorial Shoot

I can not believe that it has been a month since I have last posted.  It feels like forever, but the month of November has gone by so quickly and I have spent most of the month assisting an amazing stylist, Joanna Hir, on a film here in London.  So I have been quite busy, but back at it now, and so much to share with you.

Our 2nd editorial shoot with The London College of Style was nearly 2 months ago, but I'm really excited to finally be sharing it with you.  The theme of the shoot was "United We Stand" and we were meant to come up with a cause that we wanted to support, using the United Colors of Benetton campaigns as a reference.  The style was meant to me happy, colorful, and vibrant.  I really struggled with this theme.  I had a ton of ideas, but nothing was quite cheerful or colourful.  I finally settled on the Cuban / American relationship and how now Cuba and American were best friends, right?  I put together the moldboard below.  I wanted to celebrate all that Cuba had to offer, from the colorful prints, to the rough/old school vide that Cuba has due to a lack of flourishing.


I wanted red, white, and blue to come through as these are the colors for both the US and Cuban flag, and then the rest would be a melding of colors.  One of the biggest challenges with styling this shoot was finding tropical prints and also really colorful things.  It's amazing to be in London because there really is no limit to what you can find, or order online.  I discovered some new brands along the process.  Clover Canyon is a great brand for prints, Camilla, an Australian brand, has great tropical, bright colored, beach stuff.  And tucked away in Sussex Garden, London is an amazing house filled with the most lush jewelry, called Pebbles.   

Our first shoot was on location, but this shoot would take place in a studio.  On the day we were split into 2 groups working with 2 different photographers.  I had the privilege of working with amazing photography Leigh Keily.  I think the photographers turned out quite good, at first I wasn't sure how I felt about my outfit, having not seen it on the model, but when she put it out it just came to life.  Check out the photos below!






Credits:
Top & Skirt: Clover Canyon
Kimono: Camilla, very.co.uk
Shoes: Kurt Geiger
Jewelry: Pebbles London

Photographer: Leigh Keily
Assistant Photographer: Hristo Hristov
Stylist: Lore Koijen
MUA: Martin Carter
Hair: Carolina Crona


    

Sunday, 4 October 2015

1st Editorial Shoot

So taking a break from all of the Fashion Week madness I am delighted to share with you my experience on my 1st editorial shoot!  As I mentioned earlier I am currently studying at the London College of Style and this past week we trekked all the way to Windsor/Eton, UK to have our 1st editorial shoot.  The theme of the editorial was "Colour has no gender".  1/2 the class was given women in red and the other half, the half that I was apart of, was given men in pink.  First I started with lots of research, one of my favourite parts of the styling process, and through my research I put together a mood board.  I struggled a bit with my direction of the outfit.  I knew the mood would be street and then I explored themes of graffiti and the warehouse environments of New York City and settled on the mood board below.


I made the mood board using Photoshop, which was another challenge, but one I quickly became comfortable with after spending a Saturday taking an introductory class.  

Finding pink clothes for men was difficult, nearly impossible to find exactly what I was looking for.  So after a day of scouring through vintage and second hand/charity shops I made my way to Primark on Oxford street and bought a navy blue jumper/sweater and some navy plaid trousers.  I also picked up a pink camo printed tee shirt from Topshop and a white button down shirt from Primark.  My idea was to customize the jumper with hot pink wool.  Originally I wanted to weave the wool into the jumper, but that didn't work so I decided to take a 2 hour crochet one on one session to try to learn how to crochet so I could make shapes that would sit on my jumper.  I wanted the shapes to be curved and free flowing, similar to how graffiti is.  And after many hours of, I made the jumper below


I also made a made a hat, using a united navy hat that I purchased at Primark and using the pink yarn to weave through the hat.  I don't have a picture of the hat, but hopefully some of the final images will show the hat off, it really completed the outfit.  After speaking with one of the directors at the college I returned the navy trousers and bought a skinny jean in a dark, wax-like denim from Zara.  And after much frustration with the shoes I found a pair of white shoes at Sportdirect and spray painted them hot pink, in the end, I think these came out amazing despite that fact that I had to do them at 6:00 pm the night before the shoot.  

The day of the shoot was long, and there was a lot of waiting around, but it was so exciting to see what everyone else had put together and to really complete the process from conception to final photograph.  The model was amazing, Lachlan Wincott, such a long day for him and only 16, but he kept his spirits up and did a really great job.  The model turned photographer Jamie Kendrick also was really great, as each shoot would finish he would show us the images on his laptop and each shoot looked amazing.  The experience as a whole is one that I can't wait to do again.  I loved customizing my pieces and then seeing them come to life on the model and in the photographs.  

The image below is just one I took with my phone.  Once I receive the actual final images I will definitely share them with you.  Stay tuned!